Edgar Meyer-巴赫無伴奏大提琴：低音提琴 (2000-01-20＠234MB＠無損＠多空)

【專輯封面】:
[img]http://i.imgur.com/HxHtY.jpg[/img]
[url=http://img3.imagehyper.com/img.php?id=8788641&c=2f86a59969a81f3938038606ac1b9077][img]http://img3.imagehyper.com/t/0/8/8788/8788641-733282f0.jpg[/img][/url]
【發行日期】:2000-01-20
【藝人姓名】:Edgar Meyer
【專輯簡介】:
Album Notes
The versatility of Bach's music has been explored in a number of recordings. Most often the music survives the transition.. for with Bach.. composition was a universal language.. something sublime and expressive which was not connected with particular instruments or idioms. In this recording Edgar Meyer performs the Cello Suites of Bach on a double bass.. which is a less radical choice than some other transcriptions.. but nonetheless an interesting one. The bass provides a deeper.. more substantive sound than the cello.. and in this case.. a surprising nimbleness of touch. Meyer is the kind of virtuoso that makes one forget the difficulty and hear only the music. The Suite No. 5 in particular takes on a rangier sound.. and permits some emotional ideas not typically heard from these pieces. The beauty of these solo pieces remains intact.. and we are able to glimpse them as such from a unique and fresh angle.

藝術家簡介   
在每一兩代人裡總會出現一位能在精通當代琴藝後進而創造出全新風格的大師. 在20和30年代我們有Duke Ellington.. 在50和60年代出現了Charlie Mingus.
Edgar Meyer除了把古典低音大提琴的技巧帶入一個更高的境界外.. 還引進了純正的民謠.. jazz.. blue grass和世界音樂的元素. 他演出的場合包括了室內樂獨奏和協奏曲.. 還包括了blue grass festival和鄉村樂音樂會.
Edgar在古典和流行樂界的影響力不只啟發了學院派新生代.. 甚至廣及所有拿起弓想玩玩琴的其它人.

感謝摯愛“dingdang”提供

(摘自網路)
【專輯曲目】:
1. Suite for Solo Cello No. 2 in D ​​m​​inor.. BWV 1008: I. Prelude
2. II. Allemande
3. III. Courante
4. IV. Sarabande
5. V. Menuett I & II
6. VI. Gigue
7. Suite for Solo Cello No. 1 in G Major.. BWV 1007: I. Prelude
8. II. Allemande
9. III. Courante
10. IV. Sarabande
11. V. Menuett I & II
12. VI. Gigue
13. Suite for Solo Cello No. 5 in C minor.. BWV 1011: I. Prelude
14. II. Allemande
15. III. Courante
16. IV. Sarabande
17. V. Gavotte I & II
18. VI. Gigue
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